- #Highc for treble install
- #Highc for treble manual
- #Highc for treble plus
- #Highc for treble series
- #Highc for treble free
From the timeline, we can’t be sure if it was an old-school discrete transistor-based circuit like the famous Rangemaster or a modern one using an IC circuit like the good old LM741 that was used in the MXR Distortion Plus.
#Highc for treble free
The trademark Ricky King sound was always ultra clean and free of any overdrive and distortion, so the boost was for sure moderate. We don’t know exactly how much is being boosted, and we don’t know what exact circuit was used.
#Highc for treble plus
Keeping the timeline in mind-we’re talking about the mid ’70s-and from the description (boost plus EQ), I’m pretty sure we’re talking about a treble-booster circuit with a fixed boost because there’s no additional element to control the boost level. One of the switches engaged an onboard preamp that boosted both the volume and treble. With this description, it’s not too difficult to re-engineer the original Ricky King wiring from the era when he recorded his greatest hits.
#Highc for treble manual
Whether you’ve been playing for three months or thirty years, the Elements was designed for those that care about tone and don’t care to read an entire manual to get the show on the road. Like the rest of our pedals, each Elements device is hand-built right here in our shop using the same high-quality through-hole parts as everything else. Each Elements pedal is designed to work with a variety of amps of all costs and wattages, ensuring compatibility with whatever you’re rocking. However, don’t be fooled by the simplicity each circuit was designed and internally set to the sweet spot so you only have to worry about the volume level, just bring your amp and guitar.
#Highc for treble series
While we can’t streamline the amp setup process for you or take the guesswork out of your existing pedals, we can give you the next best thing: a series of stompboxes that have just one knob for a streamlined setup process, giving you that feeling of satisfaction each and every time you plug in. Whether you have a rig with two amps, 30 pedals or just one, there is something to be said about turning on and rocking without having to twiddle hundreds of knobs every time. Regardless of skill level or technical chops, or sheer amount of gear, this is a feeling whose greatness is 100 percent agreed upon. keep on modding!įew things in life can compare to plugging in a guitar and playing your go-to riff on a gear setup that just works. Again, this can be positive or negative, depending on your pickups and amp. The resistor-in-parallel and resistor-in-series schemes perform more-or-less equally, but the parallel version offers more highs when you turn down the volume. Many guitarists like the cap-only version for Strats and Teles, while others prefer a cap and a resistor in parallel. I can't advise you what to use-you need to explore this yourself or let an experienced tech calculate your personal treble-bleed network, based on your specific rig.
This simple circuit can turn a muddy-sounding guitar into an articulate one-even with tons of distortion-because the tone will clean up when you roll back the volume.
It's worth taking the time to try several combinations. Some like more high end (this is often due to a dark-sounding amp), while others prefer more midrange to get a punchy sound. Remember, what you choose may be very different from another player.
#Highc for treble install
Values you should try are 470 pF up to 1500 pF for the cap, and 100k-ohm up to 330k-ohm for the resistor.Īfter you find your favorite combination, remove the two wires and permanently install it to the volume pot. Their system employs a 1000 pF cap and a 130k-ohm resistor, and is dubbed the Fender Tone Saver. This scheme is regarded by many to be the best of the three versions, because it seems to solve the problem of the volume pot taper and the tinny sound. This configuration became popular in the '90s when Australian luthier Chris Kinman started to use a 1200 pF cap and a 130k-ohm resistor in series for his guitars. Our third treble-bleed network, shown on the right, consists of a cap with a resistor in series. Good working values to try are from 220 pF up to 1500 pF for the cap, and 100k-ohm up to 330k-ohm for the resistor. The problem with this circuit is that it affects the taper of the volume pot in a negative way when the two values are not carefully matched to each other. The cap-with-resistor-in-parallel version can be superior to the cap-only method because, as you turn the volume lower, the higher frequencies don't dominate.
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